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Episode 27: Volunteers & Partners
Projects like The Girl Who Wore Freedom need volunteers to exist. Volunteers who are hungry for growth have many opportunities to gain real-world experience and do work they'd be proud to show others. It's a win-win situation for both parties ...
Episode 26: Miniseries
When the idea for The Girl Who Wore Freedom was conceived a lot had to happen in a short amount of time. Now that there is a documentary of the film out there, we take stock of what we have and ...
Episode 25: More Focus Group Events
Christian has had a chance to catch her breath and is ramping up for focus group events in Denver, Colorado Springs, New York, Branson, and beyond! Find an event near you: https://thegirlwhoworefreedom.com/events. These focus groups are being organized and spearheaded ...
Episode 24: Fatigue
Creating a film is exhausting. Is it even possible to take a break when you're in the midst of creating a feature-length documentary? And what do you do when you want to finish the film, but don't have the money ...
Episode 23: Getting Feedback
Getting any kind of feedback is hard. If the feedback is only positive, you worry that they're just trying to make you feel good and not being authentic. But it's also really difficult to receive negative feedback! In this episode, ...
Episode 22: Q&A with Christian
In this episode, host of the podcast Josh Lindsey asks director Christian Taylor a series of questions to better understand what went on at the Normandy focus group screening of The Girl Who Wore Freedom. We'll hear about things she ...
Episode 21: Social Media
Social media is an important part of promoting any project, but particularly films. In this episode, we meet Anne Evans, our first social media lead and sister of Director Christian Taylor. Anne shares how she got started in this role ...
Episode 20: French Focus Groups
What does it take to run a focus group event in France? In this episode, Director Christian Taylor shares how the eleven events were planned for Normandy to gather feedback from the five-hundred people who have seen the film.
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Episode 19: Eleventh Hour
Director Christian Taylor is in France preparing to screen the film, but the drive doesn't work. In this episode, we celebrate the first focus group event of The Girl Who Wore Freedom in Normandy, France, discuss the struggle to make ...
Episode 18: Mississippi Focus Group
In this episode, Director Christian Taylor shares an update after visiting Mississippi and hosting a focus group event for veterans with dramatically moving results. Because we've been so busy with that, we're also reairing Episode 2 of the Documentary First ...
In this episode of Documentary First, host Christian Taylor welcomes back Emmy-nominated director and producer Nicholas (Nick) Bruckman for his third visit to the show. Together, they pull back the curtain on the real world of documentary filmmaking—from getting into top festivals like Sundance and Tribeca, to navigating labs and markets, to landing a doc on Netflix.
Nick shares how his early narrative feature Valley of Saints got into Sundance off a “cold” submission, and how he’s since used programs like Gotham Week, Film Independent’s labs, and Tribeca’s Creators Market to build meaningful relationships with programmers and industry partners. He breaks down his rough-cut screening process (including Google forms and phone-watching “tells”) and explains why being radically open to feedback is one of the most powerful tools a filmmaker has.
Christian and Nick also dive into Minted: The Rise and Fall of the NFT, exploring why that film became Netflix’s “definitive” NFT documentary—and what that reveals about marketplace demands, cultural buzz, and why some critically acclaimed films (Not Going Quietly) still don’t land on major streamers.
The conversation then turns to Nick’s latest four-part docuseries, The Price of Milk, which premiered at Tribeca. Christian shares her strong personal reaction to the series, especially its portrayal of small family dairy farmers and the government “checkoff” program that was supposed to support them. Nick unpacks the hidden story behind the “Got Milk?” campaign, how money flows from farmers to industry groups, and why transparency, policy, and political engagement matter more than simply switching what’s in your grocery cart.
Finally, Nick reveals how Oatly helped fund The Price of Milk while still allowing full editorial independence—and offers practical advice for filmmakers on working with brands, nonprofits, and mission-aligned partners to get ambitious projects made and seen. He closes with a DocuView Déjà Vu recommendation: Secret Mall Apartment, a doc that not only tells a wild story but also models what’s possible with clever, independent distribution outside traditional gatekeepers.
Links:
Minted – on Netflix & Prime Video, IMDB: https://www.imdb.com/title/tt27548035/?ref_=fn_all_ttl_1
Valley of Saints – on Prime Video, IMDB: https://www.imdb.com/title/tt2088967/?ref_=fn_all_ttl_3
Catapult Film Find: Catapult Film Fund
Gotham Week: Gotham Week
TriBeca X: Tribeca X
Peoples TV: People’s Television
DocuView Déjà Vu
Secret Mall Apartment, 2024, 91 mins, Watch on Prime Video, IMDB Link: https://www.imdb.com/title/tt21221386/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_secret%2520mal
Time Codes
00:00 Introduction to Documentary Filmmaking
03:31 Navigating Film Festivals
09:50 The Importance of Feedback in Filmmaking
16:04 Getting Projects on Netflix
21:58 Understanding Market Demands in Documentary Filmmaking
27:47 Exploring ‘The Price of Milk’
34:13 The Role of Government in Dairy Industry
42:05 Funding Documentaries: A New Approach
47:13 Collaborating with Brands for Storytelling
54:06 Conclusion and Recommendations